Showing posts with label bedtime stories. Show all posts
Showing posts with label bedtime stories. Show all posts

Saturday, 10 December 2011

THOM WOLF AND KEVIN KILLIAN INTERVIEW - FINAL PART

Today I bring you the final part of my interview with Kevin Killian, in which we discuss the stories Daddy Fuller (my favourite in book) and Night Life, which some of may already have read as a bonus story on this blog.  I'm about to edit the interview into a single file which will avaialbe to read online and download in the next couple of days.

It’s been another busy week, writing a brand new story, while working on the manuscript of my next collection Body Language.  The new book is just about ready and will be available in e-book format from the end of January 2012.  Look out for more information and free promo stories very soon.

Story 10: Daddy Fuller
Kevin: Mr, Wolf, there's a lot of love in your book, mostly sexual in nature, of course, for it is porn, but there is more than a bit of romantic love and nowhere is that expressed so vividly as in the intergenerational romance of Daddy Fuller. Where do you see love fitting in to the more complicated and imprinted patterns of a man's sexual life?

Thom: That's a huge question. Wow. I can only really speak for myself but when I was young, love was everything. I didn't want to have sex with a man I wasn't totally in love with. That was certainly the case for my first sexual experiences. Then as I got a bit older, it was more about the sex - having lots of it. Not even knowing my partners name, let alone being in love with them. I spent a few years, like a lot of men do, getting that phase out of my system. And now, in my late 30's it feels like I've come full circle, with love and emotion being absolutely integral to sex again.

Kevin: Are we to imagine Daddy Fuller and Jimmy as a couple, or is this just a one time thing? I won't spoil the surprise ending, but Daddy Fuller allows his boy a much greater liberty than we usually see in this sort of older man/younger man story. Might be the biggest gasp of surprise in the book!

Thom: Again, this is just my opinion, a reader might take away something different, but the events in Daddy Fuller are the beginning of something wonderful for the characters. I definitely see them as a couple. It might not be the easiest of relationships, because they have such different life experiences, but they have a very strong emotional connection. Intergenerational porn stories tend to be very one dimensional, focusing on the eroticism of older man and boy. "Whose ya daddy?" kind of thing. In reality it’s a very complicated thing, so many issues surrounding maturity, experience, insecurity. I definitely wanted to incorporate some of that into my story - as well as getting in some great man/boy sex.

In one of my earlier books a fictional character comes to life and visits the author who created him. If any of the characters in Bedtime Stories wanted to cross over from fiction to reality and pay me a visit, I definitely want it to be Daddy Fuller.


Kevin: The story is unusual also in that it begins with a gruesome accident which seems to release in both man and boy a yearning for something pure and spiritual, as well as make them right horny. I have always admired your work for taking chances and you have never disappointed me.

Bonus Story: Night Life
Kevin: The steamy, sensual "Night Life" is a bonus story in more than one way. It is almost like two stories wrapped in one. In the first, set backstage at a gentlemen's strip club, the characters perform a charade of public sex, with the spice that it might come real at any given moment. Yet the management would frown on its employees actually getting it on with customers. The second story is private, intimate, with one stripper, Matt, getting drawn into the bed of a pair of cousins, Hungarian men, one older, one barely legal. You have convinced me now that Hungarians are the sexiest men on the planet, but Matt is pretty frisky himself and he's 100% English I suppose.

Thom: Matt is English, yeah. Actually I've never met any Hungarian men. This is one of those stories that came to life from a photo shoot in a porn mag with a Hungarian model. Often I can look at a man in a photograph and the image will act as a muse to my imagination. The photographs have nothing to do with what happens in the story; it was just a starting point - the image of a beautiful man that inspires the tale.

Kevin: I wonder if this started as two stories, or whether the first led organically to the second. You had me from the moment Matt met Joszef in the sleazy club toilet. Dare I ask if you've ever been stuffed from both ends like the boy in the story? Or are you too much a professional to say? Never mind, we interviewers have to "take chances" too.

Thom: It wasn't two short stories but an attempt to structure a short story in two acts, a bit like a play or a stage show. As you point out the first act is all centre stage and public, with the second act taking place backstage.

Without elaborating too much on your final question Kevin, the answer is - yes, of course. In reality, it's not as easy as we make it out to be either. Too much going on and like a lot of men, I'm not great multi-tasker.

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Tuesday, 8 November 2011


THOM WOLF An Interview by Kevin Killian



Part One



In this exclusive interview Thom and Kevin Killian discuss the stories that make up Thom’s long awaited collection of erotic fiction Bedtime Stories.





White Sheets



Kevin: Mr. Wolf, the boy in the story looks to my mind just like the model on the cover of your book. He's adorable. Which came first? Did you write the story, then find the model, or find the model, then write the story around him. Either way there's something magical about your writing, like a spell is being cast.



Thom: White Sheets was the last story I wrote for the book. I had pretty much made the final selection of stories and thought I was finished when I began to look for a cover image which would represent the theme of Bedtime Stories. I considered a lot of different pictures and models, all of which would have made incredible artwork, but when I discovered the boy who now adorns the cover it was love at first sight. I always knew that photo would be the cover.


But once I had this glorious cover I began to think differently about the content of the book. I'm one of those people who gets quite irate when a movie poster, or a book or dvd cover doesn't represent the product you're buying. A good example is the poster for the 1976 remake of King Kong. There's Kong, straddling the Twin Towers of the World Trade Centre and tearing helicopters down from the sky; which doesn't happen in the film. Or the shark on the poster for Jaws represents a beast about 200 feet long, compared to the 25 foot creature in the film. So in order to keep myself happy, I wanted a story that could be a reflection of the cover.


That boy was a very easy Muse. He's so handsome and fresh faced. I have another picture of him which is a glorious close up of his face that just makes me melt. I carried around copies of his pictures in my note book for a couple of days and the character began to grow from there. The opening story is a piece of pure fantasy and wishful thinking on my part. It was a delight to write and it felt like a great beginning to the book. I love it.

Kevin: How did you create the character of Henry, the man approaching middle age who has sort of given up on sex—even though he has a huge cock, the kind guys get hooked on—until he encounters the springtime freshness of Josh?

Henry is more of an autobiographical character (minus the Kong cock). I've been in a relationship for 16 years, unlike Henry, but I'm in my late thirties. When I was younger and used to go out with my husband a lot, we were a couple of hot young things who always got plenty of attention. Then something terrible seemed to happen around the age of 33 and we vanished off the radar. Nobody looks at guys our age in a sexual way. At the gym, on holiday, in bars - we ceased to exist. I've never really understood that because I've always been attracted to older men. The mid thirties are a funny time for a gay man; I'm no longer a twink, but neither am I mature enough to pass for a daddy. And then a third voice is telling me I shouldn't have to define myself by such labels anyway.

That's really where the character of Henry is too. He can't be bothered with the chase anymore and wasting time on guys who aren't worth the effort. He shares a lot of my middle-aged angst, though because of his massive tool he'll never be short of attention at the gym.
A lot of the stories in this book feature intergenerational sex in one way or another. That's not something I intentionally set out to deal with, but it's a theme that runs though my recent writing. Daddy Fuller, the story which bookends this collection with White Sheets, explores another older/younger relationship but this time from the perspective of the boy.
Story 2:    Man of The Hour

Kevin:  In "The Man of the Hour," we meet Oliver, a gay thrillseeker who cruises for married straight men at christenings. In the US, I've been to many christenings but have never met anyone that way. He winds up with the godfather and has sex with him outside the windows of the catering hall where the party is taking place. I have to ask, is there something extra thrilling about sex in consecrated places?


Thom: I suppose for some people there must be, but with this story I was exploring the motivation that some gay men have for wanting to have sex with "straight" men. I've known several guys who fixate on married men to the exclusion of any other kind of relationship. As if the "straightness" of the married man makes him a far more worthy sexual partner. The ideal for the christening angle came about earlier this year when I was attending a christening in York. I was bored out of my mind as we launched into the third lengthy hymn. As I looked around the church, from one handsome man to another - all dressed up in their best suits - my dirty mind began to wander.

Kevin: 
Oliver goes on to have an hour-at-a-time affair with married Jonathyn. But we detect something sort of sad about him, as though he had always been chary of emotional commitment, and now he's developing a bit of a crush on a married man. You're married yourself, Thom, are you any harder to get than Jonathyn? Are you a heartbreaker like he is?
Thom:  I'm extremely hard to get; completely out of reach for a predator like Oliver. I've been in the same relationship for over 16 years. I'm actually quite old fashioned in my thinking towards marriage - it's the biggest commitment someone can make to another person, and it shouldn't be entered into lightly. Jonathyn and Oliver are fantasy figures, though they are both grounded in reality and inspired by real people, but the reality of situations like this is that people get hurt. Playing with other peoples emotions for a thrill is not something I would ever contemplate in real life. Originally the story was actually quite a bit longer than this, with a couple of none sex scenes in the middle where Oliver questioned his motivations further. I cut them because they didn't really add to the story and I just wanted to get on with the sex.  That’s what we’re here for.
Part Two of this exclusive interview coming soon.

BEDTIME STORIES will be available as an e-book from Amazon from 14th November 2011

Monday, 26 September 2011

BEDTIME STORIES COMING SOON

It’s been a very busy couple of weeks as I put the finishing touches to the Bedtime Stories manuscript.  The final story selection is complete.  All of the stories have been thoroughly revised and placed in order for the book.  I’m well on track for the November publication date.  The cover art has been selected and finalised.  Check out below for a preview of the cover and contents of the book.  It’s a very exciting time at the minute.  I’ve thoroughly enjoyed putting this book together and can’t wait to get it out there.



CONTENTS

1.         White Sheets                          

2.         Man of the Hour                   

3.         The Dump                             

4.         Bedtime Story                                    

5.         The Boy in the Middle          

6.         Afternoon Interlude             

7.         The Dark Room                     

8.         Too Far Gone                         

9.         Mighty Fine                           

10.       Daddy Fuller